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Robert Kimbrough Sr continues the Cotton Patch Soul Blues style created by his father, the legendary Junior Kimbrough. From an early age, Robert was steeped in the sounds and life of North Mississippi and its distinctive style of blues. Growing up, Robert listened, first-hand to Mississippi blues royalty that played with his father at home, at Junior’s Juke Joint Club, and the ever frequent weekend house party and porch jam session. The blues was simply part of everyday life as a Kimbrough. Robert continues his father’s musical tradition, along with some of his siblings. You can often find many of them sharing the stage on any given night in Mississippi. The Kimbrough name, along with the Burnside name, is part of a blues dynasty that remains strong today, bringing people from all over the world to see and hear them play. The Cotton Patch Soul Blues style that Robert plays is a straight link to the music that his father originated in North Mississippi. It is a deep soul sound that can be linked back to his ancestors coming from the cotton fields, singing and ‘hollering‘ as they worked in the tall rows of Mississippi cotton. This distinct and somewhat underground style of blues is rooted in hypnotic, rhythms and dance-able grooves. The Black Keys released an entire album in 2006 of Junior Kimbrough cover songs called Chulahoma: The Songs of Junior Kimbrough. Up until the mid 80s, the only way to hear this music was to visit a church-turned-blues-den founded by Junior Kimbrough in Chulahoma, MS that unfortunately burned down in 2000.

North Mississippi Hill Country blues boogieman Lightnin' Malcolm (usually with his trusty sidekick Prayer Bailey on drums and second vocals) has been a fixture at juke joints like Red's Lounge (and yard parties like ol' RL Boyce used to throw) for years and years. He's also played on stage or in studio with everyone from Big George Brock and RL Boyce to Hubert Sumlin and CeDell Davis.

Grammy Award winG Artist, Musician, Realist, Prod., Tymple, GtownsounD; Mainstream; Masterminds

Angel "Cash" Ocasio, Jr., a prominent figure in Macon's music scene, leads Cash's Juke Joint, a powerhouse band delivering soul-stirring music. Rooted in Blues, Sacred Steel, Soul, Funk, and Rock, their groovy fusion captivates audiences. Hailing from Macon, GA, the band, comprised of seasoned musicians, boasts a rich history playing diverse venues. Cash's Juke Joint has shared stages with icons like Patti LaBelle, Jill Scott and The Legendary Wailers, showcasing their raw and uncut sound. Known for getting straight to the nitty-gritty, experiencing the dynamic vibes of Cash's Juke Joint live is a must for music enthusiasts.

Reverend Robert is known for his genuine conviction and honest delivery. His passion for the blues led him to the prewar blues style of Charley Patton, Robert Johnson, and other delta blues giants. Having immersed himself in their recordings, Reverend Robert emerged with an authentic feeling for the blues that is matched by his easy-going and artistic personality. Reverend Robert’s tasteful slide guitar playing garnered the attention of the National Slide Guitar Festival in North Carolina where he took first place in their competition in 2004. He has entertained audiences throughout the United States, Canada, the U.K., Europe, and India. In the past two decades he has developed his one-man blues show to incorporate the influences of jazz, ragtime, and swing, as well as Caribbean, Hawaiian, African and Indian music. The perfect combination of tradition and creative innovation, the Reverend’s music is at home on festival stages or in the street, in clubs or in the backyard. Its dance music played with a stomping beat and irresistible groove.

“From sizzling slide guitar…to nitty-gritty harp blowing…to a gruff, resonating Okie twang, Slim delivers acutely personal workingman blues with both hands on the wheel of life, a bottle of hooch in his pocket, and the Bible on the passenger seat” (HARP Magazine). Slim was raised in North Carolina listening to the housekeeper sing John Lee Hooker songs. In the Vietnam war he wound up in a hospital bed where he taught himself upside-down left-handed slide guitar on a $5 balsawood model using a triangle pick cut from a rusty coffee can top and his Army issued Zippo lighter as the slide. Slim has been a truck driver, forklift operator, sawmiller (where he lost a partial finger), firewood salesman, collection agent, funeral officiator and at times a small time criminal. His colorful songs and raw talent reflect his many adventures and misadventures. Very entertaining!

Bill Abel learned first hand from Delta blues legends of the likes of Paul “Wine" Jones, Cadillac John Nolden, T Model Ford, and Honey Boy Edwards. Bill plays a hard driving electrified country blues, a gritty unorthodox modern day juke joint sound, unique in its own. He has toured Europe and the United States headlining many festivals.